A new feature in the NY Times .. . . more gist for me . . . . .
In many senses, though, the Civil War is a writer’s — and reader’s — dream. The 1860s were an unprecedented moment for documentation: for gathering and preserving the details of passing events and the texture of ordinary life. Starting just a few years before the war, America was photographed, lithographed, bound between the covers of mass-circulation magazines, and reported by the very first generation of professional journalists.
Half a century ago, as the nation commemorated the war’s centennial, a scruffy young man from Minnesota walked into the New York Public Library and began scrolling through reels of old microfilm, reading newspapers published all over the country between 1855 and 1865. As Bob Dylan would recount in his memoir, “Chronicles: Volume 1,” he didn’t know what he was looking for, much less what he would find. He just immersed himself in that time: the fiery oratory, the political cartoons, the “weird mind philosophies turned on their heads,” the “epic, bearded characters.” But much later, he swore that this journey deep into the Civil War past became “the all-encompassing template behind everything I would write.”